In which our Diva borrows another's perspective for a moment
I talk a lot here about the physical aspects of acting, of developing and being aware of my body and what it can do in the course of telling a story. I was a dancer first, so that thinking is second nature to me, which makes it difficult to articulate what's so important and valuable about those aspects of our craft.
Enter Ben Hopkin, of the consistently thoughtful and useful Acting Without the Drama blog, to spell it out from the more cerebral vantage point. It was an eye-opening read from my very movement-oriented perspective too, illuminating the thought process behind some actors' dismissal of or resistance to what I've always considered to be a key portion of the toolbox.